Greatest Zombie Films: 1990s
(chronological by time period and film title)
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Zombie Films |
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Night of the Living Dead (1990)
d. Tom Savini, 92/88 minutes, 21st Century Film Corporation/Columbia
Pictures Corporation
Tagline: "There IS a fate worse than death."
Setting: Remote and rural graveyard, and abandoned house.
Story: Johnnie (Bill Moseley) and Barbara (Patricia Tallman)
visited their mother's grave in a cemetery when she was attacked
by a zombie - it killed Barbara's brother. Traumatized, she
sought refuge in an abandoned farmhouse with black man Ben (Tony
Todd).
Other survivors of the zombie onslaught were discovered hiding in
the cellar: married couple Harry and Helen Cooper (Tom Towles and
McKee Anderson), their bitten daughter Sarah (Heather Mazur), and
teenage couple Tom Bitner and Judy Rose Larson (William Butler and
Katie Finneran). Everyone
bickered about the best strategy to survive, especially Ben and
Harry. An escape plan to drive off in Ben's truck failed, and Tom
and Judy were killed in a gasoline explosion. Zombified Sarah bit
her mother Helen (who became reanimated), and Ben and Harry were
seriously injured in a shootout. With the house overrun with zombies,
Barbara sought help and returned to the house with a local posse
of zombie hunters. Mortally wounded in the cellar, Ben was reanimated
as a zombie, and shot by the posse, while Harry was killed by an
enraged Barbara - the film's sole survivor.
Notable: A colorful, almost identical shot-for-shot remake
of George A. Romero's seminal 1968 zombie classic, except for a slightly-different
ending. Also, Barbara's role was more active and assertive as a gun-toting
feminist. Less stark, gritty, intense and haunting than the original.
Directed by Romero's special-effects guru Tom Savini, although he
complained his version was compromised. Censorship by the MPAA shortened
some of the bloodier zombie kills and excised some entirely, to avoid
an X-rating. |
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Black Demons (1991, (It.) (aka Demoni 3)
d. Umberto Lenzi, 88 minutes, Filmakers S.r.l.
Tagline: "They will tear, rip, and bite anyone
in their path of vengeance."
Setting: Brazil, Rio de Janeiro, and a slave cemetery near
a Brazilian plantation, between Rio and Belo Horizonte.
Story: Three American college students, Dick (Joe Balogh),
his half-sister Jessica (Sonia Curtis), and her British boyfriend
Kevin (Keith Van Hoven), were on vacation in Brazil. Dick had a strong
interest in voodoo and black magic, and rather than sightsee, he
went alone to attend a bizarre and bloody voodoo ritual ceremony
held by the Macumba. He made a recording with a tape cassette recorder,
and also was rendered unconscious after drinking a strong beverage.
The next day, he awoke in his hotel room with a tape cassette and
a gold amulet around his neck. He accompanied Jessica and Kevin on
a trip from Rio to Belo Horizonte, when their Jeep broke down in
the jungle near a small plantation. They spent the night at the former
coffee plantation home being rented by a young couple, French-accented
Jose (Philip Murray) and Sonia (Juliana Teixeira). During their stay,
the housekeeper Maria (Maria Alves) was scared of Dick after noticing
his pendant. In a nearby cemetery in the middle of the night, Dick
played back the audio recording of the Macumba ceremony. He was not
aware that the plantation was the site of a former slave rebellion
150 years earlier. Six executed black plantation slaves reanimated
from their graves - now vengeful. During a mass escape attempt a
century and a half earlier by hundreds of African slaves, these six
were captured, blinded, and hanged - and now the partially-decayed,
mindless zombies with weapons, but still with manacles and chains
and nooses around their necks, sought murderous vengeance on the
college students and the residents of the plantation. Supposedly,
the motive of the six "black demons" was to kill six whites to be
satisfied and even the score. The zombies were fought off by molotov
cocktails and exploding gas lanterns.
Notable: A low-budget, little-seen Italian production, with
some similarities to the plot of John Carpenter's The Fog (1980).
Demoni
3 (or Black Demons) was
unrelated to Lamberto Bava's 'trilogy' series:
Demoni (1985, It.), Demoni 2 (1986, It.), and The
Ogre: Demons 3 (1988) (aka Demons III: The Ogre).
Included the requisite Fulci-style torturous eye gouging. |
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Nudist Colony of the Dead (1991)
d. Mark Pirro, 90 minutes, Artistic License Video
Tagline: "They'll Eat You BARE...Naked!" and
"Not just another typical horror-comedy-musical-zombi-romance
movie!"
Setting: Nudist camp.
Story: The Sunny Buttocks Nudist Camp was shut down
after a court battle by Judge Rhinehole (Forrest J. Ackerman), due
to fanatical religious pressures from a local group of zealots, including
Reverend Ritz (Dave Robinson) and Zealot (Dan Hartel).
In protest, the nudists committed
a mass ritual of suicide (by drinking poisoned Kool-Aid) after being
led by "old lady" Mrs.
Druple (Rachel Latt)
to avenge their fates. Following their deaths about 5 years later,
the nudist camp was converted into a retreat campground, and the undead
zombie nudists sought revenge during a church-sponsored summer camp
Bible retreat for wayward and promiscuous teens, led by Miss Stucco
(Bea Lindgren). The teens included Shelly Mammarosa (Deborah Stern),
Fanny Wype (Heather McPherson), Art Shoe (Tony Cicchetti), Bible-quoting
Billy McRighteous (Jim Bruce), Asian Juan Tu (Peter Napoles), Lou Jobee
(Steve Wilcox), and Gus Unteide (Juan Tanamera). On the bus, the teens
sang: "We like to get high and have sex if we could every single day."
The nudists rose from their graves as zombies and began to butcher
counselors and teens. Billy McRighteous had his Bible literally shoved
down his throat, others were decapitated or split in two.
Notable: A strange combination -- a comedy-musical horror
spoof. This campy, cheesy, low-budget B-film without very much nudity
(only a few topless shots amidst strategically-placed leaves and rags)
was a parody of slasher-movies, zombie movies, and musicals. In 1995, Nudist
Colony of the Dead was
adapted for the stage and had a four month run in Hollywood. |
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Voodoo Dawn (1991) (aka Strange
Turf, or Voodoo Blood)
d. Steven Fierberg, 84 minutes, Academy Home Entertainment/Stillwell
Productions
Tagline: "If you thought voodoo was mumbo jumbo, it's time to think
again..."
Setting: The Deep South.
Story: The main character was a diabolical,
machete-wielding voodoo sorcerer-priest named Makoute (Tony Todd). In
his past, he was one of the feared Tontons Macoute - the Haitian secret
police who terrorized the island during the decades-long, dictatorial
Duvalier regime. When the government was overthrown in 1986, Makoute
was crucified and lost his tongue (rendering him mute), but he survived.
He settled in the rural Deep South of the US, commanding and threatening
Haitian refugees who had become down-and-out migrant farm workers (one
of the field hands was Tina (Gina Gershon)!). The workers were led by
Claude (Raymond St. Jacques), Makoute's enemy. Some
of the dirty field hands had already been killed and turned into flesh-eating,
living-dead slaves. During
a spring break, two NY college students (searching for a missing colleague),
including city-bred African-American Miles (Billy "Sly" Williams),
disrupted
Makoute's zombie experiments - a menacing plan to construct an all-powerful "voodoo
man" from
parts of his victims. When all the parts were assembled, Makoute planned
to slash his wrists and let the
blood drip into the zombie-voodoo figure's mouth, to bring it to life.
In the conclusion, Makoute's home was attacked, and a piece of his clothing
was used as a voodoo doll - to kill Makoute, and his body was burned.
However, the "voodoo man" had been brought to life and continued to battle
for awhile, until it lost its head and died. A demon-figure burst from
its stomach, but it was also vanquished.
Notable: Also sometimes noted as a 1990 film, and going by
the title Voodoo Blood. It went straight to video, without
a theatrical release. One of this independent film's scripters, John
Russo, the author of the pulp horror novel upon which the film was
based, was the screenwriter for Night
of the Living Dead (1968).
This was more a supernatural thriller emphasizing the black magic of
voodoo witch doctors (in the Deep South, rather than the West Indies)
than a Romero-styled zombie film. Not to be confused with Voodoo Dawn
(1998) (aka Fait Accompli), starring Michael Madsen and Rosanna
Arquette.
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Army of Darkness (1992/93)
d. Sam Raimi, 81/96 minutes, Dino De Laurentiis Company/Renaissance
Pictures/Universal Pictures
Tagline: "How Can You Destroy An Army That's
Already Dead?" and "Trapped in time. Surrounded by evil. Low on gas."
Setting: The Dark Ages, England, 1300 A.D., and present day.
Story: Hero Ash Williams (Bruce Campbell) and
his girlfriend Linda (now played by Bridget Fonda) had just driven to
the remote small cabin in the mountains. The film
began with a flashback - he worked as a supermarket clerk at an S-Mart
store (with the slogan, "Shop smart. Shop S-Mart"). He
was transported by time travel back (in his Oldsmobile) to the medieval
Dark Ages, 1300 AD. England, held captive. Ash was led in shackles to
the castle of Lord Arthur (Marcus Gilbert), then thrown into a demon-infested
death pit of soul-hungry Deadites, which he finished off
with his chain-saw weapon and sawed-off shotgun. He also dispatched
another old hag Pit Bitch Deadite (Billy Bryan). Ash's goal was
to retrieve the "unholy book," the Necronomicon from
a forest, which had the power to send him back home - and defeat the
undead. In a race against time, he was forced to battle an unleashed
skeletal Deadite 'army of the dead' (a stop-motion 'army of darkness'
composed of reanimated corpses) that had emerged from the ground - and
defeat them. With his victory, love interest Sheila (Embeth Davidtz)
returned to her normal self (after being a doppelganger Deadite) and
hugged Ash. In the film's conclusion, she kissed Ash farewell before
he returned to his own time - to his job at the S-Mart. After She-Demon
Deadite (Patricia Tallman) attacked him in the Housewares Department,
he saved pretty co-worker (Angela Featherstone) from harm by killing
the creature. He mused: "Sure,
I could've stayed in the past. I could've even been king. But in my own
way, I am king." He
added: "Hail
to the king, baby!"
Notable: The third of Sam Raimi's Evil Dead trilogy, a horror
comedy, with a countless variety of references to other fantasy and
adventure films (Jason and the Argonauts (1963), King Arthur's
court films,
Gulliver's Travels, swashbucklers, The Day the Earth
Stood Still (1951) with its "Klaatu Barada Nikto" incantation,
and The Time Machine (1960)). A much more manic, slapstick, and campy
version (and with slightly less gore) when compared to the first two
films. Originally had the working title of "The
Medieval Dead" to
fit with its sword-and-sorcery theme. |
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Dead Alive (1992, NZ) (aka Braindead)
d. Peter Jackson, 104/97/85 minutes, WingNut
Films/New Zealand Film Commission/Avalon Studios Limited
Tagline: "Some things won't stay down...even after
they die."
Setting: Wellington, New Zealand, in 1957.
Story: Domineering, overbearing matriarch Mum Vera Cosgrove
(Elizabeth Moody) was infected by a bite from a super-rare Sumatran
(Skull Island) rat-monkey at the Wellington Zoo. To prevent her from
infecting others, dweebish mama's boy Lionel (Timothy Balme) - who
was trying to romance sweet shopkeeper's daughter Paquita María
Sánchez
(Diana Peñalver),
locked his mother in their basement. Greedy and eager uncle Les (Ian
Watkin) suspected that his sister was deceased, and blackmailed Lionel
into giving up his inheritance and allowing him to move into her luxurious
Victorian mansion. During a house-warming party thrown by Les, Vera
and her zombie friends, activated by a stimulant poison, escaped from
the basement and attacked the guests. One zombie punched his fist through
the back of a woman's head and it emerged out of her mouth. Most of
the zombies were finally massacred in the infamous and climactic zombie
slaughter scene when Lionel strapped a running rotary-blade lawnmower
to his chest ("Party's
over!")
in the room full of party-crashing zombies - he sent buckets of blood,
stringy intestines, spinal cords and body parts flying everywhere.
After one pass through the zombies, he turned and grinded through them
a second time before the house was set on fire. One decapitated head
(with glasses) was chewed up in a blender. Lionel's mother Vera was
transformed into a grotesque fertile monster with pendulous breasts
- she stuffed Lionel back into her womb, and then he rebirthed himself
by cutting himself out of her blood-gushing womb.
Notable: This was future Lord
of the Rings director Peter Jackson's
third feature film, following Bad Taste (1987, NZ) and Meet
the Feebles (1989, NZ).
The R-rated film was full of bad taste and cartoonish splatterings. This
over-the-top, bloody and gory horror-comedy zombie film was indisputably
the goriest, grossest, and bloodiest (and funniest) film ever made. |
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Return of the Living Dead III (1993)
d. Brian
Yuzna, 97 minutes, Bandai Visual Company/Ozla Productions/Trimark Pictures
Tagline: "She's to die for."
Setting: Military base.
Story: The story was about a pair of star-crossed, in-love
teens, army brat Curt Reynolds (J. Trevor Edmond) and red-headed and
wild Goth-chick Julie Walker (Mindy Clarke). Curt was the son of disapproving
military scientist Col. John Reynolds (Kent McCord) who was on a base
working on a top secret project involving the life-restoring gas Trioxin
2-4-5, a nuclear waste material. The government's plan was to revive
or breed mindless zombies as soldiers (without a hunger for brains)
- to use them as bio-weapons against terrorist and communist countries.
The major problem was how to control the zombies once they were animated.
After Julie was killed with a broken neck in a motorcycle accident,
the distraught Curt broke into the base and reanimated his dead girlfriend
by exposing her to the gas. Slowly transforming S&M
zombie Julie was "to
die for"
- threatening to consume Curt as he attempted to avoid a local Latino
street gang and military soldiers on a search for the missing Julie.
As Julie's appetite for flesh increased, she self-mutilated and pierced
her body to dull her need to feed ("The pain... The pain keeps
the hunger away"). Curt also freed the zombie soldiers from the
compound - an increasing horde of brain-seeking undead.
Notable: Another gory comedy yet very straight love story (with
some nudity), the third horror entry in the "Living Dead" series,
by director Brian Yuzna. Although unrelated, it followed director
Ken Wiederhorn's dark comedy Return
of the Living Dead II (1988), which was basically
a copy or remake of the original ROTLD 1985 film by Dan O'Bannon (with
homage to Romero's Night
of the Living Dead (1968)). Released in various versions (R-rated
and unrated). Followed by Return of the Living Dead: Necropolis
(2005). |
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Cemetery Man (1994, It.) (aka
Dellamorte Dellamore)
d. Michele (Michael) Soavi
Tagline: "Zombies, Guns and Sex, Oh My!"
Setting: Northern Italy cemetery, in the town of Buffalora.
Story: Francesco Dellamorte (meaning 'of the dead' in Italian)
(Rupert Everett) was a restless, lonely graveyard custodian overseeing
Buffalora Cemetery in Northern Italy
populated by zombies. Due to a plague, the corpses
came back to life as zombies ("ones
that return" or returners) every seven days - requiring re-extermination
by shooting them in the head. Francesco's comic, imbecile assistant
was slow-witted, corpulent, balding Gnaghi (Francois Hadji-Lazaro),
undoubtedly inspired by Curly from the Three Stooges. Gnaghi became
obsessed with the decapitated head of the mayor's daughter Valentina
(Fabiana Formica) after a motorcycle accident. Francesco met
an exotic, stunningly gorgeous, buxom and voluptuous widow (Finnish-born
Italian model Anna Falchi credited as "She") wearing
black at the cemetery where she was mourning the recent death of her
rich elderly husband (Renato Donis) during a funeral. After being turned
on by the ossuaries in the cemetery's mausoleum, they had very passionate
sex one late night on top of her late husband's grave. She was killed
for her unfaithful love-making by her jealous husband's zombie appearance
after he clawed his way out of his grave behind her and bit her in
the upper right arm. Francesco plunged a crossed wooden stake into
the brain of the husband to forever kill him, and then picked up the
nude body of his dead lover. Francesco kept in mind her promise in
her dying words: "Nothing
will separate us...not even death." He waited seven days for her
zombie return from the grave, when she rose up in front of him naked
and wrapped in thin cloth. He used a gun to shoot her in the head.
She fell backwards onto her grave platform - now experiencing eternal
peace. As the story progressed however, "She" (all characters
played by Falchi) kept reappearing or reincarnating in his confused,
mad, depressed and weird life as various female personas or characters
(a self-generating hallucination?), both living and dead, and resembling
his lost love. She first appeared as the new mayor's assistant - a
frigid woman who feared the male member (Dellamorte took medicinal
injections to become impotent, and considered castration), and then
as a young prostitute who was paying off her college tuition. However,
all manifestations of his lost love tragically died.
Notable: An intensely erotic, sexy and gory fantasy-horror
film - and an imaginative, supernatural romance (and comedy!) about a
graveyard with the gate inscription: RESVRRECTVRIS ("For those who
will rise again"). |
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Bio-Zombie (1998, HK) (aka Sun
Faa Sau Si)
d. Wilson Yip, 94 minutes, Mei Ah Entertainment/Brilliant Idea Group
(BIG)/Cameron Entertainment Ltd.
Tagline: "Two unlikely heroes. One mall full
of zombies. Every undead has its day."
Setting: Hong Kong's New Trend Plaza mall.
Story: Despicable, yet likeable slacker store clerks Woody
Invincible (Jordan Chan) and Crazy Bee (Sam Lee) work in HK's New
Trend Plaza shopping mall store that sells pirated VCDs. After retrieving
their boss' car from a mechanic, the two crashed the car
into a pedestrian: a Chinese government military official carrying
a top-secret, toxic substance (an experimental biochemical weapon
developed by Iraqi spies to create zombie soldiers) in a contaminated
Lucozade soft drink. If consumed, the formula would turn a person
into a bloodthirsty zombie. After the injured agent muttered "soft
drink," the
boys (thinking that he was thirsty) gave him some of the liquid,
then put him in the car's trunk and returned to work. The boys
didn't know that the official had just fled from a botched demonstration
that created a murderous zombie. Soon, slow-moving,
infected undead zombies in a major plague outbreak besieged the mall,
trapping them and their friend Rolls (Angela Tong) who worked in
the mall's salon/cosmetics store.
Notable: A horror zombie goofball comedy, a spoof of George
Romero's Dawn
of the Dead (1978), combined with Asian versions of the slacker/youth
comedies Clerks
(1994) and Mallrats (1995).
Also with many video-game references (and video game style onscreen
pop ups, icons and visual clues) from the late 1990s Sega arcade
game House
of the Dead - the game that Crazy
Bee and Invincible were playing on their Sega. |
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Wild Zero (1999, Jp.)
d. Tetsuro Takeuchi, 98 minutes, Dragon
Pictures/GAGA/Takeuchi Entertainment
Tagline: "Trash and chaossss!!!!"
Setting: Japanese town of Asahi.
Story: An evil race of aliens, attacking in yellow saucer-shaped
spaceships, were intent on invading Earth with a meteor
strike, and then unleashing a zombie plague - turning humans into green-skinned
zombies. Wanna-be rocker and greaser fanboy Ace (Masashi Endô) helped
save his favorite rock group band in shades and leather, Guitar Wolf,
during a stand-off with the band's
shady, gun-wielding business manager, then became the band's blood-brother
with a dog whistle to alert them. Guitar Wolf's guitar concealed a
deadly energy sword used
to fight off the alien mothership. Once aliens invaded the earth and
turned people into ravenous, flesh-eating zombies, Guitar Wolf and
the power of R&R saved the world from total annihilation.
Notable: This low budget, incompetent horror production, a punk-rock
zombie flick, starred cult trash rockers Guitar Wolf (Bass Wolf, Drum
Wolf and hero Guitar Wolf) - all versions of themselves. |
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