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Milestones and Turning Points in Film History The Year 2020 |
 Timeline of Greatest Film History Milestones and Turning Points (by decade and year) Introduction | Pre-1900s | 1900s | 1910s | 1920s | 1930s | 1940s | 1950s 1960s | 1970s | 1980s | 1990s | 2000s | 2010s | 2020s |
| Event and Significance | |
| Legendary actor, director and producer Kirk Douglas passed away at the age of 103. His film debut was in the film noirish The Strange Love of Martha Ivers (1946) opposite Barbara Stanwyck. He went on to become a famous movie star after his breakthrough film as boxer Midge Kelly in Champion (1949) (with his first Academy Award Best Actor nomination), followed up by Billy Wilder's Ace in the Hole (1951), The Bad and the Beautiful (1952) (with his second Best Actor nomination) portraying a corrupt movie executive, Lust for Life (1956) (his third and final nomination) as troubled artist Van Gogh, Gunfight at the O.K. Corral (1957), and two of his biggest hits, Stanley Kubrick's Paths of Glory (1957) and Spartacus (1960). | |
| The corona-virus pandemic caused havoc
for the film industry - and one thing was certain. The changes that
immediately affected the industry were definitely going to outlast
the pandemic, and extend into coming years.: (1) Movie theatre closures went into effect throughout the world, and in the US, by the major chains, including AMC and Regal (owning Cinemark and Cineworld). Most of the major theater chains were on the verge of bankruptcy, and a lot of the smaller, independent theaters wouldn't survive. Movie theaters spent thousands on COVID-safety protocols, but then were burnt when further lock-downs prevented reopening plans. (2) Hollywood studios were forced to postpone the releases of blockbuster movies and to drastically alter production schedules around the world; for example, the new 25th Bond film, No Time to Die (2021), was postponed from an April 2020 release twice (now due in April of 2021), and many other of 2020's biggest releases were moved out of summer's most lucrative months and into the fall or into the new year, including Disney's March release of Mulan (2020) (postponed numerous times and then released September 2020 on Disney+ for a $29.99 rental fee) and Black Widow (2021) (now scheduled for May 2021). (3) Film shoots and productions were particularly susceptible to restrictions, including advisories against gatherings of groups, and a number of them were halted, altered, or shut down; a Mission-Impossible 7 (2021) film shoot in Venice, Italy by Paramount was halted in late February, and Disney announced that production on its live-action movies would suspend production until further notice (its live-action remake of The Little Mermaid, a Home-Alone reboot to premiere on Disney+, and Peter Pan now rescheduled to March 2021). A number of films planned by the traditional studios to be theatrical releases were sold off or repackaged as streaming alternatives, or they would be offered for home viewing just a few weeks after a theatrical debut. A major distribution and exhibition shakeup was in the works. (4) After a number of media companies, including Netflix, Apple, Amazon, and WarnerMedia, pulled out of this year's SXSW film and TV festival, the city of Austin, Texas cancelled the festival altogether for the first time in its 32-year history. (5) Some Hollywood studios moved a number of their mid-budget movies out of theaters and onto their burgeoning streaming services. NBC Universal announced that it would make some movies available for rent digitally the same day they were released in movie theaters that remained open, including the horror film The Hunt (2020), The Invisible Man (2020), and Emma. (2020). (6) The major media companies including Disney, WarnerMedia, Viacom and Comcast devoted considerable attention to their subscription or streaming programming offerings, and the streaming wars heated up considerably against Netflix and Amazon. (7) After being the first studio to release its films digitally on a higher price point PVOD (Premium Video on Demand) at the beginning of the pandemic, Universal struck a deal with AMC Theaters over shorter windows. Under the new arrangement, Universal and Focus Features releases would play at AMC Theaters for 17 days (or a movie's 3rd weekend instead of the customary 60-75 days) before they could also debut on PVOD digital platforms. In exchange, the deal gave AMC an undisclosed cut of the on-demand PVOD rental proceeds for a set period of time. (At the time, AMC controlled about one-quarter of the 40,000 screens in the United States.) By November, the studio had made a similar deal with AMC’s rival, Cinemark. |
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| Due to the coronavirus, eligibility requirements and dates for upcoming awards shows for 2021 were modified: Golden Globes (nominations on February 3, awards show on February 28), the Oscars (nominations on March 15, show on April 25th). The 93rd Oscars were originally set to broadcast on Feb. 28th, but then the Academy extended its cut-off for eligibility to February 28, and pushed back the ceremony by two months due to nation-wide theater closures and release alterations in the wake of COVID-19. | |
| By the end of May 2020, it was predicted that the coronavirus accounted for a global box-office loss of approximately $17 billion in the film industry. By the end of the year, the predicted number had basically doubled. The global cinema industry was set to lose $32 billion in 2020 due to the COVID-19 pandemic, a 71.5% reduction in box office revenue compared to 2019. On the flip side, online transactional and subscription video revenue was set to increase by 30% year-on-year from 2019’s $26 billion to $34 billion in 2020. | |
| Domestic box-office revenue for 2020 was about $2.3 billion, down roughly 80 percent from 2019, which ended up at $11.4 billion. It was the lowest showing since the early 1980s, if not the late 1970s (a 40 year low), and the figure wasn't even adjusted for inflation. Foreign ticket sales were about $9 billion due to a faster recovery of Asian markets including China, Japan and South Korea. Last year in 2019, global ticket sales hit a record $42.5 billion, but in 2020, it was down at least 70 percent. | |
| The sixth installment in the franchise, Jurassic World: Dominion (2022) (scheduled for release in the summer of 2022) was the first major production to resume filming after coronavirus forced film sets to shut down. Many studios took drastic and expensive measures to ensure that their sets were coronavirus free. | |
| Although expected to be released on September 27th, 2020, now Universal's The Hunt (2020) will be released in mid-March of 2021. The controversial film was about wealthy, liberal elite Americans hunting 'deplorables' for sport. Following recent mass shootings in El Paso, TX and Dayton, OH, President Trump pressured the studio to not release the film, and it was cancelled at the time. | |
| After a year of existence, Disney+ had turned out to be an unparalleled success for the Walt Disney Company. The service now had 86.8 million subscribers, just under the 90 million goal they set for 2024. In comparison, Netflix had 190 million subscribers including 73 million in the U.S. | |
| Bad Boys for Life (2020), the third installment of the franchise, starring Will Smith and Martin Lawrence, was the highest-grossing movie at the 2020 domestic box office, with $206.3 million, and $426.5 million worldwide. | |
| The highest-grossing worldwide film of 2020 was The Eight Hundred (2020, China), with $461.4 million worldwide. This marked the first time since 2007 that the top-grossing film of a given year earned less than $1 billion. The film performed extremely poorly in the US/Canada with only $373,000 dollars. | |
| In the wake of mass protests over police
behavior and accusations of racism, the HBO Max streaming service temporarily
removed the classic Civil War historical drama-romance Gone
with the Wind (1939) from its library of offerings. An unnamed
spokesman was quoted: "Gone with the Wind is a product of
its time and depicts some of the ethnic and racial prejudices that have,
unfortunately, been commonplace in American society. These
racist depictions were wrong then and are wrong today, and we felt that
to keep this title up without an explanation and a denouncement of those
depictions would be irresponsible." Fortunately, it was stated that once
returned to the lineup, the movie would remain untouched or edited "because
to do otherwise would be the same as claiming these prejudices never
existed....If we are to create a more just, equitable and inclusive future,
we must first acknowledge and understand our history." Re-screenings were
promised to include information about the film's historical context. Notwithstanding the current claims about the film, it stands historically as the highest-grossing film of all-time (adjusted for inflation). It has been an important and valuable part of American history for eight decades, and one of the defining films of Hollywood's Golden Age. It was based on the Pulitzer Prize-winning epic 1936 novel by Margaret Mitchell. The Best Picture-winning film excelled in many categories (production design, directing cinematography, and acting - including Hattie McDaniel's Best Supporting Actress win for her many-layered portrayal of 'Mammy' - she became the first African-American performer to be nominated and win). [Note: There will always be 'outdated' or less than ideal cultural depictions (with misogynistic, sexist, anti-gay, and racially-insensitive or other outdated content) in films or other art forms going back decades. To particularly apply 21st century cultural standards of the current time to these creations from earlier times is unrealistic, ill-suited and counter-productive, and would mean banishing or restricting hundreds and hundreds of films (AND books, music and art as well) that have a lot to teach us about where we came from. Disclaimers, statements of context, and various guidelines or ratings may be implemented and have some limited impact, but for most savvy film-goers, they are able to self-educate about what to learn from a film, and whether to watch (or not watch) and discuss with others - they can make up their own minds. Temporary bans and selective censorship or pronouncements are not necessary.] |
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In mid-June of 2020, Variety Magazine
(byline Tim Gray, Senior VP) went further in calls for disclaimers
for movie viewing in an article entitled: "10
Problematic Films That Could Use Warning Labels." Two of the ten
films listed were Best Picture Oscar winners. It cited Dirty
Harry (1971) for its depiction of vigilantism and disrespect
for the law, Forrest Gump (1994) for its condescension to those
who protest or are activists, Indiana
Jones and the Temple of Doom (1984) for its stereotyped
depiction of the evil Indian cult members, Me Before You (2016) for
its endorsement of suicide over disability, Quentin Tarantino's Once
Upon a Time in Hollywood (2019) for its regressive message, The
Children's Hour (1961) for the pairing of suicide with lesbian
feelings, John Ford's classic western The Searchers
(1956) for
its racist and bigoted character (portrayed by John Wayne after a Comanche
Indian massacre of his brother's family), The
Silence of the Lambs (1991) for the "trans" characteristics
of the Buffalo Bill character, the Christmas classic Holiday Inn (1942) for
its often-deleted scene of Bing Crosby singing "Abraham" (honoring
Lincoln's birthday) in blackface, and the Arnold Schwarzenegger action
film True
Lies (1994) for its Arabic terrorists/villains. The author also briefly cited five other problematic, 'racist' films in his introduction: D.W. Griffith's Civil War epic The Birth of a Nation (1915), Disney's Song of the South (1946) - out of circulation, Breakfast at Tiffany's (1961) for Mickey Rooney's role as a bucktoothed, Japanese photographer-neighbor Mr. Yunioshi, West Side Story (1961) for its Puerto Rican gang members, and the slave drama Mandingo (1975) for its salacious, exploitational content. Virtually all of the responses in the comments section of the article slammed the author for his "lunacy" and "woke garbage," and were very blunt in their criticisms: ("Stop shoving your nonsense down our throats!," "The height of stupidity," "Utterly moronic nonsense," "I'm flabbergasted by the pretend naivety of it," and "It is amazing people can be this dumb and this sensitive.") The comments were almost universally critical of the article's author who was seen as narrow-minded, idiotic, insulting to a movie-viewing audience, and small-minded - akin to a book-burner or even to Nazi censorship ("The NAZIs tried to erase everything that they thought went against their thinking"). One comment put it very succinctly: "This piece is more offensive than the films it tries to 'put in perspective'!...Are we all children who are incapable of making our own judgments?...Time to grow up, I would say, and break free from the 'thought' control, as well-intentioned (or not) as it might seem." Another proposed putting a stop to this kind of self-destructive thinking: "We don’t need a Big Brother. We need history in all its forms. History is not there for you to like or dislike. It is there for you to learn from. And if it offends you even better. Because then you are less likely to repeat it. It's not yours to erase. It belongs to all of us." | |
| As evidence of how far in-roads were being
made in Hollywood toward enforced diversity, the Academy of Motion Pictures
Arts & Sciences (AMPAS) announced its new requirements for Best Picture
eligibility. Before the year 2024, Best Picture candidates were to be
required to submit a confidential Academy Inclusion Standards Form to
be considered eligible, in order to be prepared for stricter and required
standards in the year 2024 (the 96th Oscar year). By then, films competing
for Best Picture could only qualify by meeting various inclusion standards
(both on-camera and behind the scenes). A film had to meet two of four
standards: Standard A: On-Screen Representation Component: (a film was required to meet one of three alternatives) (1) Lead or Significant Supporting Actors: at least one of the Lead Actors or a Significant Supporting Actor had to be from an under-represented racial or ethnic group (2) The General Ensemble Cast: 30% percent of all actors in secondary or more minor roles had to be from two of the following categories: women, LGBTQ, an under-represented racial or ethnic group, or those with cognitive or physical disabilities (3) The Main Storyline or Subject Matter: the main story line was centered on an under-represented group Standard B: Off-Screen Creative Leadership and Project Team Component: (a film was required to meet one of three alternatives) (1) Creative Leadership and Department Heads: at least two Creative Leadership positions and Department Heads had to be held by members of under-represented groups (2) Other Key Roles: at least six other crew/team and technical positions (excluding Production Assistants) had to be held by members of an under-represented racial or ethnic group (3) Overall Crew Composition: at least 30% of the film’s crew had to be held by members of under-represented groups Standard C: Industry Access and Opportunities: (a film was required to meet both of the two alternatives) (1) Paid Apprenticeship and Internship Opportunities: these had to be available for members of under-represented groups (2) Training and Skills Development (Crew) Opportunities: these had to be available for members of under-represented groups Standard D: Audience Development: (a film was required to meet the one alternative) (1) Representation in Marketing, Publicity, and Distribution: a studio's in-house senior executives in the Marketing, Publicity and Distribution departments had to be held by people from under-represented groups There were many criticisms of the controversial new standards when announced, mainly that they created quotas and were exclusive (and discriminatory in the opposite direction), not inclusive. The new criteria were not based on skill, talent, job qualifications, creativity, or other artistic standards, but solely on race, ethnicity or gender. And the standards were another disguised form of censorship. Some questioned why the standards were only applied to one category - Best Picture (some called for renaming the Oscar category "Most Diverse Picture"). Others objected to AMPAS dictating or imposing this kind of creative mandate - the manner in which film-making was to be conducted, or defining the actual story-content. It was argued that the film industry itself should institute more genuine changes and initiatives to give more opportunities and encourage diversity. Some felt that foreign language films or historical period pieces might suffer from such standards. |
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| The Center for the Study of Women in Television and Film at San Diego State University confirmed that 16% of the top-100 grossing films released in 2020 were directed by women. This was the highest percentage of female directors of all time. In previous years, the numbers were lower: (2019 - at 12%) and (2018 - at 4%). The change from previous years may be somewhat attributable to changes in release schedules due to the virus. | |
| The release of Disney's Mulan (2020), a live-action version of their 1998 animated film about a heroic Chinese girl, sparked sharp criticism of the studio from human rights activists, lawmakers (specifically Sen. Josh Hawley of MO), and even shareholders. The film (streaming on Disney's + service and in theatres in China) was partially filmed in a region of China known as Xinjiang that continues to allow the abuse of the Uighurs and other Muslims - Turkic-speaking ethnic minorities in the predominantly Han country. The film's credits thanked the Chinese Communist Party and specifically the Turpan Public Security Bureau (the agency allegedly responsible for sanctioning the abuse and atrocities committed against ethnic minorities in the Turpan district of China via internment camps). In a time of declining film revenues due to the COVID-virus, and constant attacks on America's alleged 'systematic racism', Hollywood studios set their sights on China's tremendous box office potential and growing middle class, while hypocritically ignoring China's aggressive efforts to assimilate minorities and favor the dominant Han ethnic majority. For many years, US studios have also regularly kowtowed to Communist censors' demands to tweak films to their liking. Many still remember China's backlash in 1997 when Disney was shut out of China's film market for a time after supporting Martin Scorsese's Kundun (1997). The release of Disney's original animated film Mulan (1998) was delayed in China for a year - a move universally viewed as Beijing's vengeful punishment. | |
| Although Netflix defended and promoted its streaming of the highly-controversial comedy-drama Cuties (2020, Fr.) (aka Mignonnes), there were many lawmakers and others who criticized the coming-of-age movie for its abusive hyper-sexualization and exploitation of children, and also called for its removal. The film's French-Senegalese director Maïmouna Doucouré premiered her debut film at the Sundance Film Festival in Utah in early 2020, and received the festival's Best Director award in the World Cinema section. In the film's plot, Amy - a 11-year-old Senegalese immigrant girl living in Paris, joined a dance group known as 'Cuties' in order to rebel against her conservative Muslim parents and her upbringing. The film's trailers (and revised poster) portrayed pre-adolescent, scantily-clad female dancers suggestively twerking on stage with semi-pornographic gestures. Some argued that the film would only normalize pedophilia, and endanger child welfare. Netflix defended the "social commentary" film as a way to highlight and call attention to an important issue. | |
| Scottish actor Sean Connery passed away at the age of 90. He was most well-known for his six portrayals of British 007 agent James Bond in official films beginning with Dr. No (1962) through to Diamonds are Forever (1971), and then an appearance in a seventh unofficial Never Say Never Again (1983). His acting career spanned seven decades and he also won an Oscar his role in The Untouchables (1987). His other films included Marnie (1964), The Hill (1965), Murder on the Orient Express (1974), The Man Who Would Be King (1975), A Bridge Too Far (1977), Highlander (1986), The Name of the Rose (1986), The Untouchables (1987), Indiana Jones and the Last Crusade (1989), The Hunt for Red October (1990), Dragonheart (1996), and The Rock (1996). | |
| Warner Bros. studio announced its entire 2021 slate of films would debut simultaneously on HBO Max and in theaters. The revolutionary move was interpreted as a major effort to increase subscribers to HBO Max. However, traditionalist filmmakers such as Christopher Nolan and Denis Villeneuve publicly condemned the company for undercutting their theatrical partners without warning. | |
| Soul (2020) was the first full-length Pixar film to not be released in movie theaters, but instead released exclusively on the Disney+ streaming service. It was also Pixar's first animated film to feature an African American main protagonist, in addition to being Pixar's first movie to be released on Christmas. |
