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House of Usher (1960) (aka The Fall
of the House of Usher)
In legendary director Roger Corman's and AIP's low-budget
Gothic horror film, inaugurating a rash of Edgar Allan Poe film adaptations
by Corman - this one (the first of eight) was based on Poe's 1839
short story "The Fall of the House of Usher", followed
by Pit and the Pendulum (1961), Premature Burial (1962), Tales
of Terror (1962), the Poe-titled poem but H. P. Lovecraft adapted The
Haunted Palace (1963), The Raven (1963), The Masque
of the Red Death (1964) and The Tomb of Ligeia (1964):
- the mood-setting, atmospheric central location -
the isolated, decayed, fogged-in House of Usher located in a burned-out
and parched forest with blackened soil in New England (a physical
embodiment of evil evident over many generations); the House itself
was prone to crumbling and violent tremors - with a visible crack
that ran from the foundation to the roof
- the House's main master - morose, stand-offish, hyper-sensitive
and brooding aristocrat Roderick Usher (Vincent Price), the last
living male descendant of a cursed family, and the older brother
of doomed Madeline Usher (Myrna Fahey) - possibly engaged in an incestuous
relationship
- the arrival of Madeline's well-meaning Bostonian suitor-fiancee,
Philip Winthrop (Mark Damon), who made an obsessive effort to remove
the sickly Madeline from the darkened and oppressive House
- the curse upon the entire Usher family's bloodline
- both Madeline and Roderick suffered from an incurable, hereditary
affliction that hyper-affected all of their senses; in a brilliant
monologue, Roderick described the symptoms of the curse to Philip
- heavy drapes-curtains were hung to keep out sunlight, and efforts
had been made to dampen noise from loud footsteps by the wearing
of slippers: "Madeline and I are like figures of fine glass.
The slightest touch and we may shatter. Both of us suffer from a
morbid acuteness of the senses. Mine is the worst for having existed
the longer, but both of us are afflicted with it. Any sort of food
more exotic than the most pallid mashes - unendurable to my taste
buds. Any sort of garment other than the softest is agony to my flesh.
My eyes are tormented by all but the faintest illumination. Odors
assail me constantly, and as I've said, the sounds of any degree
whatsoever inspire me with terror... And even so I could hear you
coming. Every footstep, every rustle of your clothes. I could hear
your horse approaching, hear the clatter of the hooves across the
courtyard. Your knock. The grating of the door bolt was like a sword
struck to my ears. (whispering) I can hear the scratch of rat claws
within the stone wall! Mr. Winthrop, three-quarters of my family
have fallen into madness, and in their madness have acquired a superhuman
strength, so that it took the power of many to subdue them"
- the sequence of Madeline taking Philip to the family
crypt where her 'mad' ancestors were laid in various coffins - and
pointing out her own empty labeled coffin - and suddenly, the shocking
fall of one of the caskets labeled "MIRIAM USHER" (Madeline's
mother) that shattered and spilled out her mother's rotting skeletal
corpse
- the tour conducted by Roderick for Philip (who didn't
believe that "the sins of the fathers (are) visited upon the
children"), along a row of sordid, tortured portraits (drawn
by Burt Shonberg) of members of the Usher family - as he described
how evil passed down through generations of Ushers and ultimately
into the House itself: "This house is centuries old. It was
brought here from England, and with it every evil rooted in its stones...Evil
is not just a word. It is reality. Like any living thing, it can
be created and was created by these people. The history of the Ushers
is a history of savage degradations. First in England, and then in
New England. And always in this house. Always in this house. Born
of evil which feels it is no illusion. For hundreds of years, foul
thoughts and foul deeds have been committed within its walls. The
house itself is evil now"
- Madeline's catalepsy (the appearance of death) - with
body rigidity, trancelike states, loss of muscular control, and decreased
bodily functions, almost indistinguishable from death; and her alleged
demise from her cursed condition, and her premature interment (buried
alive) by Roderick in the family crypt beneath the House
- the disquieting brief funeral scene in the family
chapel of Roderick and Philip mourning the 'death' of Madeline -
while sitting on pews behind her open coffin, she began to move her
fingers; Roderick responded by rising and closing the casket's lid;
the sequence ended with a closeup of her name on the tomb
- during Philip's hallucinatory dream sequence (shot
with different colored filters including light blue and purple),
when Philip was haunted by the Usher ancestors, and Roderick accosted
Philip for trying to free Madeline from her premature burial by sledge-hammering
the lock on her casket - she screamed and he awakened
Philip's Hallucinatory Dream Sequence
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- Roderick's description of how he was in agony as
he heard the entombed Madeline helplessly pound and scratch the
inside of her sealed coffin cover: "Do you know that I could
hear every sound she made? That I heard her breathing in her casket?
Heard her first gasps as she awoke? Her first scream of terror?
Did you know that I could hear the scratching of her fingernails
on the casket lid?" - and the sight of Madeline's empty coffin;
she had escaped to prowl as a deranged mad woman through the secret
passageways and corridors of the House of Usher - to avenge herself
upon her brother Roderick who knowingly had buried her alive
- the spectacular fiery finale and conclusion - the
crumbling and burning down of the House of Usher, while the two crazed
siblings (Roderick and Madeline) fought with each other to the death;
Philip escaped and watched the unstable and flaming inferno of the
House swallowed up in a dark moat (the words of POE were seen in
a final subtitle superimposed over the ruins of the House: "...and
the deep and dark tarn closed silently over the fragments of the
House of Usher")
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Roderick Usher
(Vincent Price)
Arrival of Philip Winthrop (Mark Damon)
Madeline Usher (Myrna Fahey) - Philip's Fiancee
The Family Crypt Scene
Tour of Usher Family Portraits
Madeline's Alleged Demise and Interment in the Family Crypt
The Entombed Madeline
The Fiery Finale - Two Siblings Fighting to the Death
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