1953
The winner is listed first, in CAPITAL letters.
Actor:
WILLIAM HOLDEN in "Stalag 17", Marlon Brando in "Julius
Caesar", Richard Burton in "The Robe", Montgomery
Clift in "From Here to Eternity",
Burt Lancaster in "From Here to Eternity"
Actress:
AUDREY HEPBURN in "Roman
Holiday", Leslie Caron in "Lili", Ava Gardner
in "Mogambo", Deborah Kerr in "From
Here to Eternity", Maggie McNamara in "The Moon
is Blue"
Supporting Actor:
FRANK SINATRA in "From Here to Eternity",
Eddie Albert in "Roman
Holiday", Brandon de Wilde in "Shane",
Jack Palance in "Shane",
Robert Strauss in "Stalag 17"
Supporting Actress:
DONNA REED in "From Here to Eternity",
Grace Kelly in "Mogambo", Geraldine Page in "Hondo",
Marjorie Rambeau in "Torch Song", Thelma Ritter in "Pickup
on South Street"
Director:
FRED ZINNEMANN for "From Here to Eternity",
George Stevens for "Shane",
Charles Walters for "Lili", Billy Wilder for "Stalag
17", William Wyler for "Roman
Holiday"
All
of the big winners in this year of 1953 were black-and-white
films. The big winner was Fred Zinnemann's eight-Oscar winning From
Here to Eternity (with thirteen nominations and eight
awards including Best Picture, Best Supporting Actor and Actress,
Best Director, Best Screenplay (Daniel Taradash), Best Cinematography
(Burnett Guffey), Best Sound, and Best Film Editing). All five
of its major actors and actresses were nominated, with secondary
players Donna Reed and Frank Sinatra taking home the Oscars.
The candid film was based on James Jones' controversial,
best-selling novel about Army life on an Hawaiian (Oahu) military
base just prior to the Pearl Harbor attack and World War II,
to illustrate the conflict between an individualistic private
(Montgomery Clift) and rigid institutional authority (exemplified
by the Army). Its achievement of eight awards matched the all-time
record held by Gone
With The Wind (1939). The record would be tied again
the following year by Elia Kazan's On
The Waterfront (1954).
[Other films that have won eight Oscars include: My
Fair Lady (1964), Cabaret
(1972), Gandhi (1982), and Amadeus (1984).
The eight-Oscar record was broken in 1958 by Gigi with
nine awards. Other nine-Oscar winners include: The Last
Emperor (1987), and The English Patient (1996).
In 1959, Ben-Hur
(1959) would shatter the present record with eleven
Oscars, not again matched until Titanic (1997) and The
Lord of the Rings: The Return of the King (2003).
In between, West
Side Story (1961) won ten Oscars.]
The competition in the Best Film category included
director George Stevens' classic western about a retired gunslinger
who helps a homesteading family - Shane (with
six nominations and one win - Best Color Cinematography) -
a film victimized by the Academy's anti-western bias. In an
ironic twist, this year's Best Picture and Best Director victor
Fred Zinnemann could commiserate with George Stevens, because
of the prejudice his own western High
Noon (1952) had received the previous year from the
Academy.
Another Best Film nominee was William Wyler's
delightful, elegant, fairy-tale romance between a bored European
princess (Hepburn) and an American reporter (Peck) that was
shot on location - Roman
Holiday (with ten nominations and three wins - Best
Actress, Best Writing: Original Story, and Best B/W Costume
Design). Two other films were Roman historical-epics:
- director Joseph L. Mankiewicz's and MGM's
film version of Shakespeare's tragedy, Julius Caesar (with
five nominations and one win - Best B/W Art Direction/Set
Decoration)
- Fox's Biblical tale by director Henry Koster, The
Robe (with five nominations and two wins - Best Color
Art Direction/Set Decoration and Best Color Costume Design)
- the first film released in wide-screen CinemaScope (probably
the reason for the Color awards) about the life and religious
awakening of a drunken Roman centurion who wins the robe
of the crucified Christ in a dice game
William Holden (with his second of three career
nominations - and sole Oscar win) was the Best Actor winner
with his portrayal of the selfish, cynical, scheming Sgt. Sefton
in a German WWII POW camp, suspected of being an informer in
Billy Wilder's black comedy/drama Stalag 17 (with three
nominations and one win - Best Actor). This was another WWII-based
film that dominated the awards in this year. [Holden's other
two nominations were for his superior work as screenwriter/gigolo
in Sunset
Boulevard (1950) and Network
(1976).]
Two co-stars were both nominated for the Best
Actor Award for their performances in From
Here to Eternity:
- Burt Lancaster (with his first of four career
nominations) as virile but human Sergeant Milton Warden (who
has an affair with the Captain's wife on a beach in Hawaii)
- Montgomery Clift (with his third of four unsuccessful
career nominations) as defiant, introspective boxer/bugler
Private Robert E. Lee Prewitt. His stubborn refusal to fight
in the boxing ring for his unit's team angers his superiors
and leads to further conflict. As competitors for the same
award, they probably split the vote among themselves and
gave the win to Holden
The other two nominees for Best Actor were:
- Marlon Brando (with his third consecutive
Best Actor nomination) as Marc Antony in Julius Caesar -
although it was really a supporting role
- Richard Burton (with his second of seven unsuccessful
career nominations) as Roman tribune Marcellus Gallio in The
Robe
Irresistible elfin, gamine actress Audrey Hepburn
(with her first of five career nominations - and her sole Oscar
win) won the Best Actress Oscar (in her seventh film but first
American film and first starring role) as the touring European
Princess Ann who flees incognito in the Italian capital, escapes
protocol, and during her light-hearted adventure finds love
with an American newspaperman (Gregory Peck) in the fairy-tale
story, Roman
Holiday . [She was nominated a total of five times
in her career - also for Sabrina (1954), Breakfast
at Tiffany's (1961), The Nun's Story (1959), and Wait
Until Dark (1967).]
Hepburn's competitors for Best Actress included:
- the strikingly-beautiful Ava Gardner (with
her sole career nomination) as showgirl Eloise 'Honey Bear'
Kelly with safari leader (Clark Gable) in director John Ford's Mogambo (with
two nominations and no wins) about a steamy love triangle
in a Kenyan game reserve - a remake of Jean Harlow's role
in Red Dust (1932))
- charming French actress Leslie Caron (with
her first of two unsuccessful nominations) (she had debuted
as a teenager in the Best Picture film of 1951,
An
American In Paris (1951)) as Lili Daurier - the puppet-entranced
orphan in the title role in director Charles Walters' musical
romance Lili (with six nominations and one win - Best
Score)
- Maggie McNamara (with her sole career nomination
for her film debut) as virgin Patty O'Neill in Otto Preminger's
then-shocking, historically-important film The Moon is
Blue (with three nominations and no wins)
- ladylike Deborah Kerr (with her second of
six unsuccessful career nominations) playing against type
as Captain Holmes' sex-starved, frustrated, hot-blooded,
adulterous wife Karen in From Here
to Eternity (1953). Kerr's most famous (notorious)
scene was the erotic, love-making beach scene in the foaming
surf (daring for its time) with tough sergeant co-star Burt
Lancaster. [Deborah Kerr was nominated a total of six times
in her film career, but never won an Oscar!]
Non-singing Frank Sinatra (with his first of
two career nominations - and his sole Oscar win) was nominated
and won the Best Supporting Actor Oscar for his role as a wisecracking,
cocky young Italian-American soldier Private Angelo Maggio
and the punished victim of sadistic, Italian-hating Sergeant
"Fatso" Judson (Ernest Borgnine). [Sinatra was nominated only one
other time - and lost - for his performance as an ex-junkie in
producer/director Otto Preminger's The Man with the Golden
Arm (1955).]
Two co-stars of Shane were
nominated in the same category:
- Brandon de Wilde (with his sole career nomination)
as the wide-eyed young rancher's son named Joey Starrett
(who cries out to his hero: 'Shane...come back...!')
- Jack Palance (with his second consecutive
nomination of three career nominations) as the villainous
hired gunfighter Jack Wilson [Palance would have to wait
another 38 years until his third nomination (and win) for
his role as the tough trail boss in City Slickers (1991).]
The other Best Supporting Actor nominees were:
- Robert Strauss (with his sole career nomination)
as the clowning, Betty Grable-fantasizing POW 'Animal' Stosh
in Stalag 17
- Eddie Albert (with his first of two unsuccessful
career nominations) as photographer Irving Radovich in
Roman
Holiday
In the Best Picture-winning film with a setting
of pre-war Honolulu, wholesome actress/ingenue Donna Reed (with
her sole career nomination - and Oscar win) won the
Best Supporting Actress award for another against-type performance,
as dark-haired, working girl/nightclub singer "hostess" (or
prostitute) (Alma) Lorene at the New Congress Club in an affair
with soldier/bugler Montgomery Clift in From
Here to Eternity (1953). [Her Oscar nomination and
win were the only ones in her entire film career. Later,
she would go on to play the clean-cut star of the popular TV
show The Donna Reed Show.]
The other four Best Supporting Actress competitors
were:
- Grace Kelly (with her first of two career
nominations) as prim, repressed, but horny Linda Nordley
in Mogambo
- Geraldine Page (with her first of eight career
nominations in her first starring film role) as rancher's
wife Angie Lowe in director John Farrow's John Wayne western Hondo (the
film's sole nomination)
- Marjorie Rambeau (with her second and last
unsuccessful career nomination) as Mrs. Stewart (Joan Crawford's
mother) in director Charles Walters' musical melodrama Torch
Song (the film's sole nomination)
- Thelma Ritter (with her fourth of six unsuccessful
nominations) as NY waterfront informer Moe in director Samuel
Fuller's crime thriller 'B' film Pickup on South Street (the
film's sole nomination)
The film Titanic, the pre-cursor to the
mega-blockbuster and award-winning Titanic (1997), came
away with two nominations (Best Art Direction and Best Screenplay),
and won the Oscar for the latter (for Charles Brackett, Walter
Reisch, and Richard Breen).
Walt Disney achieved a milestone in the 1954
awards ceremony - as the individual with the most Oscar
wins (4) in a single year. He won the award in four awards
categories: Best Cartoon Short Subject: Toot, Whistle, Plunk
and Boom (1953), Best Documentary Short Subject: The
Alaskan Eskimo (1953), Best Documentary Feature: The
Living Desert (1953), and Best Two-Reel Short Subject: Bear
Country (1953).
Oscar Snubs and Omissions:
Alan Ladd, portraying the title role as a shy
drifter and gunslinger in Shane,
probably his finest career performance, was not nominated as
Best Actor, nor was Jean Arthur nominated as Marion Starrett,
a homesteader's wife with a never-acknowledged love for Shane.
Alongside nominee Marlon Brando should have been Shakespearean
actor John Gielgud who played the role of Cassius in Julius
Caesar.
Many other potential Best Actress nominees were
also ignored: Marilyn Monroe and Jane Russell in director Howard
Hawks' un-nominated musical Gentlemen Prefer Blondes,
Doris Day as the title character in Calamity Jane, and
Gloria Grahame as gangster moll Debby Marsh whose face is disfigured
by scalding hot coffee thrown by Lee Marvin in director Fritz
Lang's violent, un-nominated film The
Big Heat. Another Anthony Mann/James Stewart collaborative
western The Naked Spur, probably their best, received
only one nomination - for Best Original Screenplay.
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